We had a lovely agape following the morning service at Sarka Valley Community Church. I think with adaptation, the model would work back home. So we'll probably try it.
It was a church lunch that began and ended with a communion liturgy - breaking bread at the start and sharing a common cup at the end. It was really cool to share wine with people you were laughing and chatting with and dropping the words of institution into the conversation as the cup reached us.
We also sang three great songs - all influenced by Iona's John Bell in some way - this morning. Again, these are works that will make their way back home.
Here's a flavour of one of them (an excellent communion hymn):
As once you served a waiting crowd
when someone shared their bread
so still, through freely offered life,
your hungry world is fed
For, having planted seed corn deep
in every human heart,
there, quickened by affirming grace,
your kingdom's work can start
The final verse says:
Then break me with the hands of grace
that living, I may prove
a generous bread of kingdom life,
of healing, peace and love.
(words by Pat Bennett/music by John Bell)
There were lots of goodbyes to say today as many of the students who've lived here for the last year are heading home. Many tears were shed and email addresses exchanged, a sign that deep relationships form over an academic year; students were valedicted and sent back to their churches to fulfil the ministries that God has prepared them for over the past year.
We also welcomed a group from Baylor University in Texas who are here for a few days as part of a six week tour of europe.
Showing posts with label worship. Show all posts
Showing posts with label worship. Show all posts
Sunday, June 01, 2008
Thursday, October 11, 2007
Touching heaven at Brixton academy
Went to see Editors last night. It's the third time I've seen them.
The first time they were supporting Franz Ferdinand at Ally Pally, their first album had just come out and they were a slightly nervous support act with promise.
Last night they were majestic headliners creating big bold colours with anthemic songs that touch on big themes.
What I like about Tom Smith's writing is his ability to create metaphors so spacious you could lodge a family in them. On the first album he sings a line like 'You burn like a bouncing cigarette on the road/All sparks will burn out in the end' and I'm sent to Ecclesiastes to reflect on the beauty and brevity of life. That picture of a bouncing cigarette, glowing red in the dark, throwing its light in every direction, the sense that it has been discarded, yet takes on a life of its own...
On the new album the brilliant line 'the saddest thing that I've ever seen/were smokers outside the hospital doors' makes me shudder every time Smith's rich baritone sings it. People killing themselves in the shadow of salvation, life needing risk to be worth living, yet we who take those risks will only take them in the presence of s safety net.
And on Racing Rats 'if a plane were to fall from the sky how big a hole would it leave in the surface of the earth' is a two line summation of the world we find ourselves in. Which plane? what sky? the crater left by air crash sucks in all those left behind into wondering why their loved ones were taken. It's a picture of all the random tragedies that blight our lives. And the fall out from 9/11 has shattered the earth way beyond the twin towers in ways that affect all of us...
These are metaphors you take up residence in. And for me they are vast open spaces that raise questions about faith and relationships, politics and where our lives might find meaning. On Weight of the World, Tom Smith sings 'you fuse my broken bones back together and then/lift the weight of the world from my shoulders/...every little piece of your life will mean something to someone.'
Of course, for me, I can't help thinking what these songs might have to say about faith and God. The obvious answer is 'nothing explicitly' and yet as I inhabit these metaphors, I find God's voice echoing in the space. As Smith sings 'you touch my face, God whispers in my ear. There are tears in my eyes, love replaces fear.'
The album closes with a song that they didn't do last night, a simple piano ballad that ends with the lines 'I don't wanna go out on my own anymore/I can't face the night like I used to before/I'm so sorry for the things that they've done/I'm so sorry about what we've all become.'
I just wish there were worship writers creating such spacious, intriguing, honest metaphors that help us explore more explicitly our life with God in the world he's created.
The first time they were supporting Franz Ferdinand at Ally Pally, their first album had just come out and they were a slightly nervous support act with promise.
Last night they were majestic headliners creating big bold colours with anthemic songs that touch on big themes.
What I like about Tom Smith's writing is his ability to create metaphors so spacious you could lodge a family in them. On the first album he sings a line like 'You burn like a bouncing cigarette on the road/All sparks will burn out in the end' and I'm sent to Ecclesiastes to reflect on the beauty and brevity of life. That picture of a bouncing cigarette, glowing red in the dark, throwing its light in every direction, the sense that it has been discarded, yet takes on a life of its own...
On the new album the brilliant line 'the saddest thing that I've ever seen/were smokers outside the hospital doors' makes me shudder every time Smith's rich baritone sings it. People killing themselves in the shadow of salvation, life needing risk to be worth living, yet we who take those risks will only take them in the presence of s safety net.
And on Racing Rats 'if a plane were to fall from the sky how big a hole would it leave in the surface of the earth' is a two line summation of the world we find ourselves in. Which plane? what sky? the crater left by air crash sucks in all those left behind into wondering why their loved ones were taken. It's a picture of all the random tragedies that blight our lives. And the fall out from 9/11 has shattered the earth way beyond the twin towers in ways that affect all of us...
These are metaphors you take up residence in. And for me they are vast open spaces that raise questions about faith and relationships, politics and where our lives might find meaning. On Weight of the World, Tom Smith sings 'you fuse my broken bones back together and then/lift the weight of the world from my shoulders/...every little piece of your life will mean something to someone.'
Of course, for me, I can't help thinking what these songs might have to say about faith and God. The obvious answer is 'nothing explicitly' and yet as I inhabit these metaphors, I find God's voice echoing in the space. As Smith sings 'you touch my face, God whispers in my ear. There are tears in my eyes, love replaces fear.'
The album closes with a song that they didn't do last night, a simple piano ballad that ends with the lines 'I don't wanna go out on my own anymore/I can't face the night like I used to before/I'm so sorry for the things that they've done/I'm so sorry about what we've all become.'
I just wish there were worship writers creating such spacious, intriguing, honest metaphors that help us explore more explicitly our life with God in the world he's created.
Thursday, October 04, 2007
Paying attention to what we sing
Just back from a conference on charity management called Aiming 4 Excellence. It was the usual mixed bag. Some sessions were wonderful - Suzi Leather of the Charity Commission, Jim Saker (a man I used to be a youth group with at Knighton Free) and Alan Storkey were particularly outstanding.
The worship was a bit tedious, however. I'm growing increasingly tired of 'worship' that consists of singing a string of songs that tell God what he's like. Now, don't get me wrong, I think there is a place for praising and magnifying the name of God, calling to mind his attributes and remembering with gratitude all he's done for us. But a run of songs that tell God he's awesome in language that recalls a teenager describing a video game doesn't do much for me, I'm afraid.
I was listening to Editors new album on the way up, a collection of laments describing life on planet earth in pithy and telling one-liners. I found it interesting to compare and contrast the worship at the conference with the tracks on An End has a Start. Isn't there a reason why two thirds of psalms are laments, why Ecclesiastes, Job and Lamentations play such a crucial part in the Jewish liturgical calendar?
Surely the reason is this: our talking to God ought to be as much about life down here as it is about him up there. Surely, we are called to articulate the pain and bewilderment of human beings in the presence of God - as Abraham did, as the Psalms do, As Paul suggests we do in Romans 8. Surely our gatherings are meant to be a dialogue between us and God where he hears our pain and reminds that he shares it and is at work bringing to fruition his great work of redemption which is about more than me having my sins forgiven.
The irony is that the congregation at the conference were directors and trustees of charities working with some of the poorest people in some of the hardest places in our land. At the very least we should have been inviting the almighty to hear again the cry of the oppressed and hearing his cracked voice respond in the Spirit groaning in his groaning people immersed in a groaning creation (to borrow Paul's language from Romans 8).
Where are the song writers, writing liturgical music that puts some of the pain of our communities into words that we can sing in our gatherings? They must be out there.
The worship was a bit tedious, however. I'm growing increasingly tired of 'worship' that consists of singing a string of songs that tell God what he's like. Now, don't get me wrong, I think there is a place for praising and magnifying the name of God, calling to mind his attributes and remembering with gratitude all he's done for us. But a run of songs that tell God he's awesome in language that recalls a teenager describing a video game doesn't do much for me, I'm afraid.
I was listening to Editors new album on the way up, a collection of laments describing life on planet earth in pithy and telling one-liners. I found it interesting to compare and contrast the worship at the conference with the tracks on An End has a Start. Isn't there a reason why two thirds of psalms are laments, why Ecclesiastes, Job and Lamentations play such a crucial part in the Jewish liturgical calendar?
Surely the reason is this: our talking to God ought to be as much about life down here as it is about him up there. Surely, we are called to articulate the pain and bewilderment of human beings in the presence of God - as Abraham did, as the Psalms do, As Paul suggests we do in Romans 8. Surely our gatherings are meant to be a dialogue between us and God where he hears our pain and reminds that he shares it and is at work bringing to fruition his great work of redemption which is about more than me having my sins forgiven.
The irony is that the congregation at the conference were directors and trustees of charities working with some of the poorest people in some of the hardest places in our land. At the very least we should have been inviting the almighty to hear again the cry of the oppressed and hearing his cracked voice respond in the Spirit groaning in his groaning people immersed in a groaning creation (to borrow Paul's language from Romans 8).
Where are the song writers, writing liturgical music that puts some of the pain of our communities into words that we can sing in our gatherings? They must be out there.
Sunday, December 24, 2006
Christmas thoughts and greetings
It's Christmas Eve - one of my favourite days of the year. This year being a Sunday, it'll also be a busy one. We have two services and this afternoon will be serving mince pies, mulled (non-alcoholic) wine, tea and coffee to shoppers wending their way home, inviting them to pause and worship with us.
This evening I'm reflecting on Joseph - the 'redundant groom' in John Bell's wonderful phrase. I'm looking at what the Christmas story might say to ordinary, decent blokes.
I'd intended to focus on Jo already but my train of thought was sent off in a more focussed direction by Timothy Garton Ash's column in the Guardian last Thursday where he reports going to Christmas services, finding them moving but not believing a word of it. More than that, he finds the story and the person behind it has nothing to say to his life or to the world in which he lives it.
I'll reflect on that this evening. It's worth reading - everything by Garton Ash is.
I'll also be referring to Bill Mallonee's Christmas album. Bill, former front man of the Vigilantes of Love, has penned some beautiful songs over the years; he is the most thoughtful and searching of Christian singer songwriters. Check Yonder Shines the Infant Light out - a snip at £5.50 to download - and especially listen to the beautiful Every Father Knows, a meditation on the power of the Christmas story to reach the lost wherever they are. You'll find it at www.billmallonee.net - you won't be sorry.
I'll return to membership, community and mission in the New Year. In the mean time have a great Christmas everyone. I hope you all meet Jesus in the midst of the celebrations and that you know his presence with you throughout 2007.
This evening I'm reflecting on Joseph - the 'redundant groom' in John Bell's wonderful phrase. I'm looking at what the Christmas story might say to ordinary, decent blokes.
I'd intended to focus on Jo already but my train of thought was sent off in a more focussed direction by Timothy Garton Ash's column in the Guardian last Thursday where he reports going to Christmas services, finding them moving but not believing a word of it. More than that, he finds the story and the person behind it has nothing to say to his life or to the world in which he lives it.
I'll reflect on that this evening. It's worth reading - everything by Garton Ash is.
I'll also be referring to Bill Mallonee's Christmas album. Bill, former front man of the Vigilantes of Love, has penned some beautiful songs over the years; he is the most thoughtful and searching of Christian singer songwriters. Check Yonder Shines the Infant Light out - a snip at £5.50 to download - and especially listen to the beautiful Every Father Knows, a meditation on the power of the Christmas story to reach the lost wherever they are. You'll find it at www.billmallonee.net - you won't be sorry.
I'll return to membership, community and mission in the New Year. In the mean time have a great Christmas everyone. I hope you all meet Jesus in the midst of the celebrations and that you know his presence with you throughout 2007.
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